The sharing of resources is part of our regular conversation at Mungrisdale Writers. Some of us spoke recently of the huge inspirational value we find in YouTube videos. Poets of every kind can be heard reciting or discussing their work – and our own Angela Locke is among these. So, type ‘Carol Ann Duffy’ or ‘Donald Hall’ or Ted Hughes, or ‘Angela Locke’ into YouTube’s search box and you’ll wile away a couple of happy hours before you know it. And then you could have a coffee and p-p-pick-up-a-pen …
The falls that carry the rains from the fell To the lake in the valley below Can be heard crashing down in the distance Beneath the palest of pale rainbows. For centuries the waters have worn away At the slate-smooth side of the fell And now from a polished rock flute they have formed Spout like a flared white peacock’s tail. It is not even yet November And bright berries the holly adorn, But without the sound of crashing falls There’d be nothing to welcome the morn. The songbirds now are silent From them no dawn chorus rings For temperatures falling with incessant rain Have dampened their spirits to sing. Whilst on Loweswater’s swollen feeder streams Leafy flotillas go sailing by, Leaves of oak and ash and chestnut Cascading from on high. And alongside the falls side by side are stood Golden fans of bracken And bright green ferns of the wood. The bright evergreen of ferns unchanging Whilst brackens change from gold to brown And will finally submit to winter Who’s sharp frosts will lay them down. Winged seeds of the sycamore too spiral down From branches that sway in the breeze, And red paint declares the sentence of death On diseased and unsafe trees. Plastic mesh across footpaths And signs to say, ‘This way is closed’ For torrential rains and gale force winds On the woods have taken their toll. Some of the older and taller trees Have been toppled by the gales And after seasoning and sawing Will become gates and fencing rails. Nothing here is left to waste, All will be gathered in, Brambles for jam, elderberries for wine, Sloes to colour and flavour gin. For after all, when gifts are free, To waste would be a sin.
When I drove west, gladly
anticipating another
invigorating morning’s
contemplating, dreaming,
listening, and writing,
the sun chased a cloud
across the face of
gargantuan Blencathra –
quietly present and glorious
And it dawned on me that
that life-giving source
and chase would do precisely
the same in a little
community gathered around
creativity’s table,
equally gargantuan –
quietly present and glorious
The iron clouds shake out their dust of stars, a galaxy to feather-fall and form in powder-patterns on the earth.
Slowly they pile in sleep-soft pillows on the stones, rounding the rocks, smoothing the scars. Lazily they lie on ledges and along the limbs of trees; in the settling silence as colour is covered.
The wind sweeps over the whiteness, snaking the surface in ripples and ribbons. Shifting the spaces to reshape the ridges. Sifting and circling the spindrift – high… to cover the sky.
The silver night crystals the cloaks of the moon-glazed mountains; shines in the glass-cold hollow of a frozen footprint, in the stillness in the timeless indigo under the gazeless glitter of the stars.
Almost closing time, the fag-end of a winter’s day. ‘The Goddess has left, but her Sanctuary’s still here!’ The young curator smiles. There’s an imprint on his chin, discus-shaped, as though at birth a god had placed a thumb to mark him. Copper pots, stone heads, a great clay urn, stone baths for ritual washing. Naked virgins parade unbidden in my head. We got lost getting here, had a row. I told him I was leaving. Now, sulking in the village square, he reads his maps. The curator’s black 4×4 goes past. He waves. ‘Don’t worry. I won’t lock you in!’ I’m alone. Fallen olives lie on stony ground; Sparrows rustle among dead leaves. How lonely to be abandoned by your worshippers; A beautiful goddess one minute, then cast aside for the next best thing. Among these fallen columns, olive trees in a ruined sanctuary, there are shadows, sky bruised after a storm, always the sea, undimmed.
Perhaps the Goddess still waits in the grove for Love, libations from the two-headed cup, sacrifices; great kings landing in their black ships, bees to nectar, along the golden sea-path. From me, sprigs of rosemary, picked this morning in the amphitheatre of Kourion, laid on this flat stone, are small gifts for what may be an altar, still.
Things were different then. The coal mine worked. Doors were left unlocked. Strangers welcomed. Though the eleven plus split up school friends, The National Union of Mine Workers and the colliery’s village people stood by each other. A cup of sugar easily asked for and given.
There’s not much I remember. I know I was given a mug with the Queen on it I think from school. There was a house – or was it a shop – decorated with red white and blue flags, Queen and Duke of Edinburgh statues waved from the balcony. They looked so real I think I might have curtsied. A maypole of moving patterns, the dancers shaped with coloured ribbons to music squeezed from an accordion.
I have no recognition of where this happened dad said was in the rec. with sports and games. Colliery band played dance tunes on the bandstand. Some street parties, trestles borrowed from the Miners Hall crackets and forms brought out of homes, best tablecloths spread with food.
That’s it, not a great lot to tell except – the weather was grey.