The sharing of resources is part of our regular conversation at Mungrisdale Writers. Some of us spoke recently of the huge inspirational value we find in YouTube videos. Poets of every kind can be heard reciting or discussing their work – and our own Angela Locke is among these. So, type ‘Carol Ann Duffy’ or ‘Donald Hall’ or Ted Hughes, or ‘Angela Locke’ into YouTube’s search box and you’ll wile away a couple of happy hours before you know it. And then you could have a coffee and p-p-pick-up-a-pen …
The Autumn Eden Poetry-Fest will be at The Gathering, 3 King St, Penrith CA11 7AR on Saturday 29th October 2016 from 7-9.30pm. With drinks and buffet, raffle, Ugandan jewellery and great poetry to raise funds for Forward UK (donation)
It was a wonderful session today, deeply inspiring. Everyone was at the top of their game, and there was such good writing from all the participants.
We looked at Carol Ann Duffy’s poem ‘Prayer‘ (see YouTube) – one of her most moving – to show the way that imagery can be inserted into a poem with surgical precision and be so effective.
Homework is to look at the poem again, and try to create a piece of prose or poetry inspired by it, preferably in the 1st person!
The falls that carry the rains from the fell To the lake in the valley below Can be heard crashing down in the distance Beneath the palest of pale rainbows. For centuries the waters have worn away At the slate-smooth side of the fell And now from a polished rock flute they have formed Spout like a flared white peacock’s tail. It is not even yet November And bright berries the holly adorn, But without the sound of crashing falls There’d be nothing to welcome the morn. The songbirds now are silent From them no dawn chorus rings For temperatures falling with incessant rain Have dampened their spirits to sing. Whilst on Loweswater’s swollen feeder streams Leafy flotillas go sailing by, Leaves of oak and ash and chestnut Cascading from on high. And alongside the falls side by side are stood Golden fans of bracken And bright green ferns of the wood. The bright evergreen of ferns unchanging Whilst brackens change from gold to brown And will finally submit to winter Who’s sharp frosts will lay them down. Winged seeds of the sycamore too spiral down From branches that sway in the breeze, And red paint declares the sentence of death On diseased and unsafe trees. Plastic mesh across footpaths And signs to say, ‘This way is closed’ For torrential rains and gale force winds On the woods have taken their toll. Some of the older and taller trees Have been toppled by the gales And after seasoning and sawing Will become gates and fencing rails. Nothing here is left to waste, All will be gathered in, Brambles for jam, elderberries for wine, Sloes to colour and flavour gin. For after all, when gifts are free, To waste would be a sin.
Mungrisdale Writers will be meeting on Thursday 27th October 2016 from 10.30am-1.30pm. Our tutor Angela Locke suggests
‘If you feel like doing any homework – no pressure! – a piece of prose or a poem in the present tense and the 1st person, that is, I and me, which is about or includes a sense – taste, touch, smell, sight, sound, or even a 6th sense?’
Autumn colours are providing us with some wonderful inspiration. Hope to see you there.
The Northern Fells Arts and Crafts Fair 2016 will be held at our home venue, Mungrisdale Village Hall, on Friday 25th (Preview Evening 6–8pm) to Saturday 26th & Sunday 27th November from 10.30am–4.30pm
Light refreshments available all day
Unusual and unique gifts for Christmas – all produced in Cumbria, by local artists and craftspeople
Booking being taken now for tables, or to volunteer in our ‘Café’ please contact Philippa Groves
The Autumn Eden Poetry-Fest will be at The Gathering, 3 King St, Penrith CA11 7AR on Saturday 29th October 2016 from 7-9.30pm. With drinks and buffet, raffle, Ugandan jewellery and great poetry to raise funds for Forward UK (donation)
Mungrisdale Writers’ Annual General Meeting is to be held at Mungrisdale Village Hall on Thursday 13th October 2016 at 10.30am, when a chair, secretary and committee members will be elected.
When I drove west, gladly
anticipating another
invigorating morning’s
contemplating, dreaming,
listening, and writing,
the sun chased a cloud
across the face of
gargantuan Blencathra –
quietly present and glorious
And it dawned on me that
that life-giving source
and chase would do precisely
the same in a little
community gathered around
creativity’s table,
equally gargantuan –
quietly present and glorious
The events of 1939 change Julia’s life. Passions, loyalties and misunderstandings divert her down unexpected paths as she moves from childish innocence to adulthood against a backdrop of momentous political and social change.
The iron clouds shake out their dust of stars, a galaxy to feather-fall and form in powder-patterns on the earth.
Slowly they pile in sleep-soft pillows on the stones, rounding the rocks, smoothing the scars. Lazily they lie on ledges and along the limbs of trees; in the settling silence as colour is covered.
The wind sweeps over the whiteness, snaking the surface in ripples and ribbons. Shifting the spaces to reshape the ridges. Sifting and circling the spindrift – high… to cover the sky.
The silver night crystals the cloaks of the moon-glazed mountains; shines in the glass-cold hollow of a frozen footprint, in the stillness in the timeless indigo under the gazeless glitter of the stars.
Ethel Hinemoa Shorrock’s Granny’s War is a collection of the War Time diaries of a Lancashire cotton mill owner’s wife from 1914-1945, edited by her granddaughter, MW writer Jill Faux
Almost closing time, the fag-end of a winter’s day. ‘The Goddess has left, but her Sanctuary’s still here!’ The young curator smiles. There’s an imprint on his chin, discus-shaped, as though at birth a god had placed a thumb to mark him. Copper pots, stone heads, a great clay urn, stone baths for ritual washing. Naked virgins parade unbidden in my head. We got lost getting here, had a row. I told him I was leaving. Now, sulking in the village square, he reads his maps. The curator’s black 4×4 goes past. He waves. ‘Don’t worry. I won’t lock you in!’ I’m alone. Fallen olives lie on stony ground; Sparrows rustle among dead leaves. How lonely to be abandoned by your worshippers; A beautiful goddess one minute, then cast aside for the next best thing. Among these fallen columns, olive trees in a ruined sanctuary, there are shadows, sky bruised after a storm, always the sea, undimmed.
Perhaps the Goddess still waits in the grove for Love, libations from the two-headed cup, sacrifices; great kings landing in their black ships, bees to nectar, along the golden sea-path. From me, sprigs of rosemary, picked this morning in the amphitheatre of Kourion, laid on this flat stone, are small gifts for what may be an altar, still.
Things were different then. The coal mine worked. Doors were left unlocked. Strangers welcomed. Though the eleven plus split up school friends, The National Union of Mine Workers and the colliery’s village people stood by each other. A cup of sugar easily asked for and given.
There’s not much I remember. I know I was given a mug with the Queen on it I think from school. There was a house – or was it a shop – decorated with red white and blue flags, Queen and Duke of Edinburgh statues waved from the balcony. They looked so real I think I might have curtsied. A maypole of moving patterns, the dancers shaped with coloured ribbons to music squeezed from an accordion.
I have no recognition of where this happened dad said was in the rec. with sports and games. Colliery band played dance tunes on the bandstand. Some street parties, trestles borrowed from the Miners Hall crackets and forms brought out of homes, best tablecloths spread with food.
That’s it, not a great lot to tell except – the weather was grey.